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April 10th, 2012
There are a few directors working today who craft every scene, back-loading the plot, mood and the very DNA of the movie into every frame. But Terrence Malick, Quentin Tarantino, David Fincher, Michael Winterbottom or Pedro Almodovar all owe a debt to Stanley Kubrick.
July 1st, 2009
It’s not until Chapter 7; Building Your Audience that the book starts to make good on the promise we interpreted from the title, not expecting shooting advice or a YouTube How-to guide (not that they’ll be unwelcome depending on your skillset). But after awhile it’s evident most of the information is just more technicalities, explaining spambots, listing the cheats and hacks you can employ but telling you why you shouldn’t and sales strategies like Google Adsense.
August 5th, 2010
Things have improved at the film, video and sound end too. The number of cameras supported in their native formats is growing all the time, including the recent addition of the RED digital range.
November 1st, 2009
There are tools for identifying music playing somewhere nearby, personalised radio, selecting wines, Twitter clients, finding a restaurant, stock quotes, green shopping and spotting Elvis (as you do). There are also a few media wrangling tools that will appeal to film and video types such as those to edit photos, take better photos or tinker with music.
July 1st, 2009
It starts a lot like the marketing material that comes with Adobe applications, listing the new features and tools. From there it covers all bases, even to the extent of telling you how to best create new files depending your creative project when such information would seem obvious.
August 23rd, 2010
Forget referencing an external CSS file, putting everything in standards-compliant div tags or giving control over font size to your user. The only way to make sure your HTML email works in all major emails clients (and there are far more of them than web browsers) is to use tables. Yes, you read that right.