Inside Film
March 1st, 2005
Accepting projects on everything from traditional film to CD ROMs full of Final Cut pro data, they still have to deliver cans of film reels to distributors and cinemas, so how do they transform our mishmash of data and images?
July 1st, 2005
Will the local family-owned single screen cinema flourish, freed from the shackles of a handful of screenings of Spider Man and able to play cult movies from midnight to dawn without paying a cent for film prints?
September 1st, 2005
From studios down the supply chain to cinemas, profits are evaporating and there’s little elbow room for the kind of investment digital cinema needs.
June 1st, 2005
A historic experiment in film and media was all ready to take place before a battle erupted between producers and the union. Drew Turney finds out more. One of the observations Naomi Klein makes in her seminal anti-globalisation work No Logo is that the big corporations have got out of the ‘making’ business and into […]
April 1st, 2005
As summarised by producer Sue Maslin; ‘It’s information rich, you can take your users through a narrative if they choose, but they can look at primary source material any time too. It enables the user to construct their own history.
November 1st, 2004
One of the first editing suites to offer you controls over downloading your footage straight from your camera from within the application itself — without having to touch the camera once — now with full HD capability.